Ashanti Joins Web3 Company EQ Exchange in History-making Partnership

Share This Post

Grammy Award-winning artist Ashanti has teamed up with woman-owned Web3 company EQ Exchange.

The partnership makes Ashanti “the first Black female artist to be a co-founder of a Web3 company.” The news was announced at the SXSW Festival in Austin, Texas.

“It’s so important to me to get the message out that artists should own their intellectual property,” Ashanti said of the platform founded by Janice Taylor, per Complex. “By empowering myself through new technology, I’m trying to help other women avoid going through the things that I’ve been through. The future belongs to those who take control and make it their own.”

Last year, Ashanti announced that she had acquired all of her masters and that she would be re-recording her debut album.

“It’s so surreal. I have an amazing legal team, and I got my first record deal when I was 14 years old,” said Ashanti on “The Tamron Hall Show.”

“So understanding and seeing how things have changed so much from then to now and conceptually understanding what you’re signing is so imperative. It’s so important nowadays.”

The EQ Exchange partnership will reportedly include the release of special “creative experiences” and NFTs, all of which will be exclusive to the platform.

“Ashanti is paving the way for the next generation of artists in the new creator economy. EQ Exchange could not have asked for a better partner as we work together to change the game for all artists, particularly women and people of color,” said Taylor.

Ashanti’s self-titled album was originally released in 2002 and debuted at No. 1 on the Billboard 200. The Grammy Award-winning project spent an impressive 55 weeks on the chart and featured some of the star’s most beloved hits, including “Happy,” “Baby” and “Foolish.”

spot_img

Related Posts

Nikola falls short of winning shareholder support to issue new stock – but a new law may help

Shareholder tides halt Nikola's issuing of new stock, causing disruption in their innovation journey. However, the company might find its buoy thrown under a proposed new law, potentially altering the voting threshold" [2].

Retailers say theft cost nearly $100 billion last year. But are stores using crime stats to cover up other problems?

Retailers are claiming that theft cost them almost $100 billion last year, with 37% due to shoplifting and 28.5% employee theft, according to a survey[2]. But could these stats be used to cover up other problems? A deeper dive is needed to find out.

Kelley Blue Book: The redesigned 2024 Chevy Trax: a roomy, affordable crossover SUV with zippy driving dynamics

Kelley Blue Book has praised the redesigned 2024 Chevy Trax for its affordability, roominess, and zippy driving dynamics. With a starting price of $21,495 [3], this crossover SUV is a great option for those who want practicality without breaking the bank.

Market Extra: Michael Burry of The Big Short fame doubled down on China bets. Here’s what other investors are saying

Michael Burry, the famous investor known for predicting the US housing market crash in 2008, recently increased his bets on Chinese companies like Alibaba and JD.com. Other investors are taking note of his moves as they navigate the complex Chinese market. [[2]]

Dow Jones Newswires: Amazon’s cloud business to invest more than $12 billion in India by 2030

Amazon's cloud business, Amazon Web Services (AWS), will reportedly invest over $12 billion in India by 2030. This move comes as AWS aims to expand its operations in the world's fastest-growing cloud market. With this significant investment, AWS aims to support Indian businesses in their digital transformation journeys. [1]

The Back Room: Heavy Is the Hammer

The Back Room: Heavy Is the Hammer" tells the story of two brothers endowed with creative powers, who fashioned animals out of clay [1]. The traditional print media struggles to compete with new aggregating technologies that have turned custom into a hammer [3]. Meanwhile, public speakers are warned against using apathetic tones of voice [2].